The Camera is Ours PG
This film is F-Rated
Celebrating the empowerment of women in the film industry. Read more >
A feature-length selection of documentary shorts from Britain’s pioneering women film-makers from the 1930s to the 1960s – a theatrical “touring version” from the Independent Cinema Office, taken from a larger assortment on the BFI’s two-disc DVD release.
“The trouble with you is that you look at things as though they were in a goldfish bowl. I’m going to break your goldfish bowl” Ruby Grierson, to her brother John
John Grierson is sometimes referred to as the father of British documentary and credited with coining the term documentary itself. But from the beginning, female innovators were at work within the genre, including Grierson’s own sisters Ruby and Marion, and we’re delighted to showcase their work alongside that of other pioneering female documentary makers in this revelatory programme of new digital restorations.
It begins with Marion Grierson’s lyrical and inventive Beside the Seaside (1935) which uses a witty array of techniques to stylish effect. In They Also Serve (1940) Ruby Grierson’s dramatised documentary is dedicated to “the Housewives of Britain”. A public information film by Brigid ‘Budge’ Cooper, Birth-day (1945) explores the mysteries of maternity – this is the real Call the Midwife! – while Kay Mander’s powerful Homes for the People (1945) uses the then radical technique of allowing working-class women to describe their own lives. Finally, the psychedelic spirit of the 1960s is ushered in by Sarah Erulkar’s Something Nice to Eat (1967), featuring Jean Shrimpton.
The directors are very often tackling what were considered – by the male producers, that is – to be the “women’s issues” of the day: motherhood, family, hearth and home. Sometimes these are the explicit themes and sometimes they are a subtext.
Please note that: Beside the Seaside and Birth-day include scenes reflecting harmful racist views that were pervasive at the time of their making.
Restored by the BFI National Archive and The Film
Foundation
Restoration funding provided by the Hobson/Lucas Family Foundation
- Duration
- 1 hour 37 minutes
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