The Personal is Political: The Films of Margarethe von Trotta

The first female director to win the Golden Lion at Venice Film Festival, Margarethe von Trotta (1942-) is to thank for some of the most trailblazing films of the past five decades.

One of the most gifted – but often overlooked – directors to come from the New German Cinema movement at the same time as Rainer Werner Fassbinder and Werner Herzog, we are delighted to be bringing von Trotta’s films back to the big screen for the recognition they deserve.

Often hailed as the world’s leading feminist filmmaker, von Trotta has never shied away from topics that resonate with contemporary lives and prompt revolutionary discussions. The power of mass media, historical events, radicalisation and women’s rights pre-#MeToo have all been visible elements in her films since the politically turbulent 1970s. Not to mention her wonderfully complex and outspoken female characters, precursors of those now taking centre stage in the best works by contemporary directors including Jane Campion, Andrea Arnold, Lone Scherfig and Desiree Akhavan.


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